Lovely review by Michael Fox on KQED:
“One waxes rhapsodically about the unique and ephemeral qualities of celluloid at the risk of sounding like a Luddite, a Flintstone or an academic. Either you get the gritty, grainy realness of film or you don’t—until, that is, you see that British filmmaker Stuart Moore’s exquisite shots of undulating riverbeds in Zinn have a texture and depth that transcends simply capturing a moment. It’s the difference between, say, an etching and a snapshot.”